Tuesday, May 31, 2022
Dead Orchestra - Global Lobotomy (1992)
Sunday, May 29, 2022
Bomberos - Hate (2004)
Only picked this up due to the Mayhem connection (Maniac is the singer here) and not the actual music, which is punk. Even as a bargain bin find, this wasn't a particularly good value considering there's less than 10 minutes of music on the disc.
The music itself is fairly aggressive but lacks any noteworthiness for me and comes across as inoffensively generic. Maniac's vocals don't do it any favors, as they're almost too laid back and unenthused (especially ironic considering I thought the Deathcrush MLP vocals bordered on being too hysterical/shrieky and not evil enough for my taste) in contrast to the energetic songs. After hearing "Midnight Ride" it suddenly clicked that they're some sort of attempt at a Jello Biafra style.
Sunday, May 22, 2022
Vulture - Vulture (2008)
Ended up buying this after seeing "doom" in the Myspace link listed in the booklet, although I was initially a bit cautious due to the logo aesthetic and lack of band photo. Unfortunately rather than being straightforward doom metal, the doom that does exist here is very diluted by stoner rock and Southern metal influences as well as some unnecessary modern touches.
In fairness, there are some okayish slow parts, but the pleasing heaviness of the guitar tone just made me wish they'd dispense with all the unmemorable bouncy, rockish riffs and worship Sabbath more. Vocals come in three varieties--a sort of gruff style I mentally associate with Southern metal but also sounds a bit like Lee Dorrian at times, relatively clean vox, and occasional guttural DM vox.
Just out of curiosity I checked out some tracks from the band's sole full length from 2012. It's far sludgier and bleaker which makes it marginally more interesting than this mini CD as a whole, although the very forced vocals and overall sound also make me draw unfavorable comparisons to some of the more generic Relapse sludge signees.
Sunday, November 14, 2021
13 Winters - Where the Souls Wander (2004)
There's a chain of regional music stores close to me, and for years and years, nearly every location I went to had several copies (both new ones for consignment and used) of this disc (as of this writing, some still do!). I always passed because they never seemed to go under $5, and I wasn't really interested in a disc that looked to me like unspectacular gothic metal. I found one in the bargain bin of a totally different store, and well, here we are.
This isn't quite as spastic-sounding and incoherent as many kitchen sink bands, but there are a lot of subgenres and influences mixed here, seldom yielding decent results. It's not terribly hard to pick okay-ish parts or interesting ideas, but as a whole it comes off as being below average. The majority of the music is a mix of gothic metal, doom, and some black metal, along with some other influences. There are some faster brutal passages which I think were meant to be death metal inspired, but many of these sound muddy with the guitars pushed under the drums and keyboards, so they don't really come off as such. I was also unpleasantly shocked to hear bouncy groove metal style riffs in several places, like the opening track and "Hands on Thorns." The main vocals are BM style, very obviously female, and seem overly forced, perhaps like a slightly worse version of Onielar from DNS. Despite me not being a big fan, they're still better than the clean "vocals," which are just the frontwoman talk-singing unethusiastically.
Listening to this just makes me wish the band had gone full-on into gothic or atmospheric doom such as mid-era My Dying Bride--the doomy songs ("Beauty is the Beast" and "Cold, Dark, Empty") come off stronger, and the violin and keyboard work is probably the band's most interesting aspect musically.
Monday, October 25, 2021
Orcus - The Forgotten Prayer (2002)
Wednesday, October 6, 2021
Arsis - A Diamond for Disease
Just getting around to this older score, from mid-2019 I believe. Picked this up at one of my favorite semi-local CD watering holes, and it was sadly part of a paltry two disc haul which were the last things I've gotten there to date (I was back once in early 2020 right before pandemic craziness ensued, and disappointingly left with nothing).
Never been a fan of this band, as I tend to gravitate towards less technical forms of extreme metal, and they also aren't a style of melodic death I particularly enjoy. The long title track wasn't appealing, and the re-worked demo track was slightly better comparatively but still did nothing for me. I was genuinely excited about the cover of "Roses on White Lace," as it's an Alice Cooper song (along with "Black Widow" and a few others) that I can see translating well to death metal, and the band does have the chops to pull it off. It's not that good, particularly the vocals, although it's a more interesting listen for me than their originals. The Icarus Witch version (which I find to be a tad overdramatic itself) kills this Arsis cover.
Mandatory dollar bin gripe: this was the 2014 reissue, but of course there was no o-card.






